![]() ThatĪnd the unpublished Dali essay provide a better understanding of how Hermeneutic based upon sound can generate insights into time, memory,Īnd digitization that are obscured by a visually-based hermeneutic. In the draft of Language as Hermeneutic, Ong explored how a On Ong's oral hermeneutic, see Zlatic (2012). Among his unpublished drafts is the unfinishedĮssay, "Hermeneutic Encounter in Voice and in Text." For more Previously, Ong had addressed hermeneutics Subsequent essays on hermeneutics (1995, 1996a, 1996b, 1998), in partįrom Language as Hermeneutic. In addition to "Time,ĭigitization, and Dali's Memory," he derived at least four Wrote that he was abandoning the manuscript he had been working on sinceġ988, finding it "unsatisfactory" (1994b). ![]() Of the 1990s, his book-length Language as Hermeneutic, which heĭescribed as a synthesis of his life's work (1990). ![]() Ong developed this Dali essay from another unpublished manuscript Time and memory can be an index of our humanity. Philosophical than philological: an "essay on human time" The editors rejected it, judging it to be more Which eerily depicts limpid, melting timepieces over a surreal barren Salvador Dali's most famous painting, The Persistence of Memory, "Time, Digitization, and Dali's Memory," a reflection on In 1994 Walter Ong offered to the journal Connotations his essay APA style: The persistence of memory: picturing Ong's oral hermeneutics.The persistence of memory: picturing Ong's oral hermeneutics." Retrieved from 2014 Centre for the Study of Communication and Culture 22 Aug. MLA style: "The persistence of memory: picturing Ong's oral hermeneutics." The Free Library.
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